Dr Mathieu Barthet
Senior Lecturer in Digital Media
School of Electronic Engineering and Computer Science
Queen Mary University of London
Queen Mary University of London
Research
music information retrieval, human computer interaction, music perception, augmented/virtual reality, internet of musical things
Interests
Dr Mathieu Barthet is a Senior Lecturer in Digital Media at Queen Mary University of London (QMUL). He is the Programme Coordinator of the MSc in Media and Arts Technology by Research and oversees Industry Partnerships for the Centre for Doctoral Training in AI & Music.He received an MSc degree in Electronics and Computer Science in 2003 (Paris VI University/Ecole Polytechnique de Montréal), and an MSc degree in Acoustics in 2004 (Aix-Marseille II University/Ecole Centrale Marseille). He was awarded a PhD in Acoustics, Signal Processing and Computer Science applied to Music from Aix-Marseille II University and CNRS-LMA in 2008, and joined the Centre for Digital Music at QMUL in 2009.
Mathieu conducts research in the fields of Music Information Research, New Interfaces for Musical Expression and Music Perception, in which he published over 100 peer-reviewed academic papers. His research interests include music and emotions, audio-visual interfaces and extended reality, AI-based musical interfaces, music recommendation, and musical timbre.
Publications
Publications of specific relevance to the Centre for Multimodal AI2024
MoodLoopGP: Generating Emotion-Conditioned Loop Tablature Music with Multi-granular FeaturesCui W, Sarmento P and Barthet M
In Artificial Intelligence in Music, Sound, Art and Design, Springer Nature 97-113.
01-01-2024
2023
Do You Hear What I Hear?Yang S, Barthet M, Reed C and Chew E
Computer, Institute of Electrical and Electronics Engineers (Ieee) vol. 56 (12), 4-6.
01-12-2023
Combining Vision and EMG-Based Hand Tracking for Extended Reality Musical InstrumentsGraf M and Barthet M
International Symposium on Computer Music Multidisciplinary Research Tokyo 13 Nov 2023 - 17 Nov 2023.
12-11-2023
Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic GuitarMartelloni A, Mcpherson AP and Barthet M
24th International Society for Music Information Retrieval Conference Milan, Italy 5 Nov 2023 - 9 Nov 2023.
05-11-2023
Affective gaming using adaptive speed controlled by biofeedbackFrachi Y, Chanel G and Barthet M
International Cconference on Multimodal Interaction., 238-246.
09-10-2023
Sound-and-Image-informed Music Artwork Generation Using Text-to-Image ModelsWilliams A, Lattner S and Barthet M
Music Recommender Systems Workshop at the 17th ACM Conference on Recommender Systems Singapore 18 Sep 2023 - 22 Sep 2023. Editors: Ferraro A, Knees P, Quadrana M, Ye T and Gouyon F.
19-09-2023
Invoke: A Collaborative Virtual Reality Tool for Spatial Audio Production Using Voice-Based Trajectory SketchingDeacon T and Barthet M
Proceedings of the 18th International Audio Mostly Conference., 161-168.
30-08-2023
Affective Conditional Modifiers in Adaptive Video Game MusicMcintosh T, Woscholski O and Barthet M
Audio Mostly 2023 Edinburgh, UK 29 Aug 2023 - 1 Sep 2023.
29-08-2023
Playing Style Affects Steel-String Acoustic Guitar TimbreLoth J, Mamou-Mani A and Barthet M
3rd International Conference on Timbre Thessaloniki, Greece 12 Jun 2023 - 10 Jul 2023.
10-07-2023
Semantic integration of audio content providers through the Audio Commons OntologyCeriani M, Viola F, Rudan S, Antoniazzi F, Barthet M and Fazekas G
Journal of Web Semantics, Elsevier vol. 77
01-07-2023
Collaboration on the Tracks: Ethnographically-Informed Design for Computer-Assisted Music Collaboration between Producers and PerformersMontague LE and Barthet M
Creativity and Cognition., 391-392.
19-06-2023
LooperGP: A Loopable Sequence Model for Live Coding Performance Using GuitarPro TablatureAdkins S, Sarmento P and Barthet M
In Artificial Intelligence in Music, Sound, Art and Design, Springer Nature 3-19.
01-01-2023
GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with TransformersSarmento P, Kumar A, Chen Y-H, Carr C, Zukowski Z and Barthet M
In Artificial Intelligence in Music, Sound, Art and Design, Springer Nature 260-275.
01-01-2023
2022
“It’s cleaner, definitely”: Collaborative Process in Audio ProductionDeacon T, Healey P and Barthet M
Computer Supported Cooperative Work (Cscw), Springer Nature vol. 32 (3), 475-505.
14-11-2022
Spatial Design Considerations for Interactive Audio in Virtual RealityDeacon T and Barthet M
In Sonic Interactions in Virtual Environments, Springer Nature 181-217.
14-10-2022
Ubiquitous Music in Smart City: Musification of Air Pollution and User ContextSarmento P, Holmqvist O and Barthet M
Ubiquitous Music Symposium 2022.
12-07-2022
Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural ControlGraf M and Barthet M
NIME 2022.
28-06-2022
EMOTION-DRIVEN HARMONISATION AND TEMPO ARRANGEMENT OF MELODIES USING TRANSFER LEARNINGTakahashi T and Barthet M
Proceedings of the 23rd International Society for Music Information Retrieval Conference, ISMIR 2022., 741-748.
01-01-2022
Design of Emotion-Driven Game Interaction Using BiosignalsFrachi Y, Takahashi T, Wang F and Barthet M
In HCI in Games, Springer Nature 160-179.
01-01-2022
Influence of Music on Perceived Emotions in FilmWei C, Kronland-Martinet T, Frachi Y and Barthet M
AES New York 2022 - 153rd Audio Engineering Society Convention 2022.
01-01-2022
2021
DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence ModelsSarmento P, Kumar A, Carr CJ, Zukowski Z, Barthet M and Yang Y-H
International Society for Music Information Retrieval Conference Online 7 Nov 2021 - 12 Nov 2021.
07-11-2021
Sketching sounds: an exploratory study on sound-shape associationsLöbbers S, Barthet M and Fazekas G
International Computer Music Conference Santiago de Chile, Chile 25 Jul 2021 - 31 Jul 2021.
25-07-2021
Examining Emotion Perception Agreement in Live Music PerformanceYang S, Reed CN, Chew E and Barthet M
Ieee Transactions on Affective Computing
30-06-2021
An Audio-Driven System for Real-Time Music VisualisationGraf M, Opara HC and Barthet M
Audio Engineering Society Convention 150 24 May 2021 - 28 May 2021.
24-06-2021
Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred designMartelloni A, McPherson A and Barthet M
NIME 2021.
01-06-2021
SonicDraw: a web-based tool for sketching sounds and drawingsDannemann T and Barthet M
ICMC 2021 - Proceedings of the International Computer Music Conference 2021., 301-308.
01-01-2021
Immersive Spatial Sound Design Using Creative Commons AudioIrvine L and Barthet M
ICMC 2021 - Proceedings of the International Computer Music Conference 2021., 126-132.
01-01-2021
2020
Musical Smart City: Perspectives on Ubiquitous SonificationSarmento P, Holmqvist O and Barthet M
Ubiquitous Music Workshop Porto Seguro, BA, Brazil 9 Nov 2020 - 13 Nov 2020.
08-11-2020
Percussive Fingerstyle Guitar through the Lens of NIME: an Interview StudyMartelloni A, Mcpherson A and Barthet M
New Interfaces for Musical Expression (NIME) Royal Birmingham Conservatoire 22 Jul 2020 - 25 Jul 2020.
20-07-2020
2019
Identifying Listener-informed Features for Modeling Time-varying Emotion PerceptionYang S, Barthet M and Chew E
Inter- national Symposium on Computer Music Multidisciplinary Research.
13-10-2019
Playsound.space: Improvising in the browser with semantic sound objectsStolfi AS, Milo A and Barthet M
Journal of New Music Research, Taylor & Francis (Routledge) vol. 48 (4), 366-384.
18-09-2019
Modelling Musical Similarity for Drum PatternsBruford F, Barthet M, McDonald S and Sandler M
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound., 131-138.
18-09-2019
Haptification of performer's control gestures in live electronic music performanceTurchet L and Barthet M
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound., 244-247.
18-09-2019
The Impact of Audio Effects Processing on the Perception of Brightness and WarmthBROMHAM G, Moffat D, Barthet M, Daneilsen A and Fazekas G
Audio Mostly Nottingham, UK 17 Sep 2019 - 20 Sep 2019.
17-09-2019
An ubiquitous smart guitar system for collaborative musical practiceTurchet L and Barthet M
Journal of New Music Research, Taylor & Francis (Routledge) vol. 48 (4), 352-365.
05-07-2019
Smart Musical InstrumentsTurchet L and Barthet M
In Foundations in Sound Design For Embedded Media, Taylor & Francis 275-296.
25-06-2019
Leveraging Online Audio Commons Content for Media ProductionXambó A, Font F, Fazekas G and Barthet M
In Foundations in Sound Design For Linear Media, Taylor & Francis 248-282.
19-06-2019
Shaping SoundsDeacon T, Bryan-Kinns N, Healey PGT and Barthet M
Proceedings of the 2019 on Creativity and Cognition., 121-132.
13-06-2019
Groove explorer: An intelligent visual interface for drum loop library navigationBruford F, McDonald ST, Barthet M and Sandler M
CEUR Workshop Proceedings. vol. 2327
01-01-2019
Filling the space: The impact of convolution reverberation time on note duration and velocity in duet performanceWeaver J, Barthet M and Chew E
147th Audio Engineering Society International Convention 2019.
01-01-2019
Smart Musical Instruments: Key Concepts and Do-It-Yourself TutorialTurchet L and Barthet M
In Foundations in Sound Design For Embedded Media: a Multidisciplinary Approach 275-296.
01-01-2019
2018
Co-design of Musical Haptic Wearables for Electronic Music Performer's CommunicationTURCHET L and BARTHET M
Ieee Transactions on Human-Machine Systems, Institute of Electrical and Electronics Engineers
21-12-2018
Towards a Semantic Architecture for the Internet of Musical ThingsTurchet L, Viola F, Fazekas G and Barthet M
2018 23rd Conference of Open Innovations Association (FRUCT). vol. 00, 382-390.
16-11-2018
Jamming with a Smart Mandolin and Freesound-based AccompanimentTurchet L and Barthet M
2018 23rd Conference of Open Innovations Association (FRUCT). vol. 00, 375-381.
16-11-2018
Audio semantics: Online chat communication in open band participatory music performancesStolfi A, Sokolovskis J, Gorodscy F, Iazzetta F and Barthet M
Aes: Journal of The Audio Engineering Society vol. 66 (11), 910-921.
01-11-2018
Playsound.spaceViola F, Stolfi A, Milo A, Ceriani M, Barthet M and Fazekas G
Proceedings of the 1st International Workshop on Semantic Applications for Audio and Music., 46-53.
09-10-2018
Internet of Musical Things: Vision and ChallengesTurchet L, Fischione C, Essl G, Keller D and Barthet M
Ieee Access vol. 6, 61994-62017.
28-09-2018
Exploring Real-time Visualisations to Support Chord Learning with a Large Music CollectionPauwels J, Xambo Sedo A, Roma G, Barthet M and Fazekas G
4th Web Audio Conference (WAC) Berlin, Germany 19 Sep 2018 - 21 Sep 2018.
19-09-2018
Real-Time Hit Classification in a Smart CajónTurchet L, McPherson A and Barthet M
Frontiers in ICT, Frontiers vol. 5
10-07-2018
Assessing Musical Similarity for Computational Music CreativityGODDARD C, BARTHET M and WIGGINS G
Journal of The Audio Engineering Society, Audio Engineering Society
29-04-2018
Co-design of a smart CajónTurchet L, McPherson A and Barthet M
Aes: Journal of The Audio Engineering Society vol. 66 (4), 220-230.
01-04-2018
Embodied Interactions with E-Textiles and the Internet of Sounds for Performing ArtsSKACH S, XAMBO A, TURCHET L, Stolfi A, STEWART RL and BARTHET MHE
ACM Conference on Tangible, Embedded, and Embodied Interactions Stockholm, Sweden 18 Mar 2018 - 21 Mar 2018.
18-03-2018
Live Repurposing of Sounds: MIR Explorations with Personal and Crowd-sourced DatabasesXambo A, Roma G, Lerch A, Barthet M and Fazekas G
Proc. of the New Interfaces for Musical Expression (NIME), 3-6 June, Blacksburg, VA, USA..
01-01-2018
The impact of compressor ballistics on the perceived style of musicBromham G, Moffat D, Barthet M and Fazekas G
145th Audio Engineering Society International Convention, AES 2018.
01-01-2018
Analysis of piano duo tempo changes in varying convolution reverberation conditionsWeaver J, Barthet M and Chew E
145th Audio Engineering Society International Convention, AES 2018.
01-01-2018
Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's PerspectiveXambo A, Pauwels J, Roma G, Barthet M and Fazekas G
2018 CONFERENCE ON INTERACTION WITH SOUND (AUDIO MOSTLY): SOUND IN IMMERSION AND EMOTION (AM'18).
01-01-2018
Playsound.space: Inclusive free music improvisations using audio commonsde Souza Stolfi A, Turchet L, Ceriani M and Barthet M
Proceedings of the International Conference on New Interfaces for Musical Expression., 228-233.
01-01-2018
Surveying the compositional and performance practices of audiovisual practitionersWeisling A, Xambó A, Olowe I and Barthet M
Proceedings of the International Conference on New Interfaces for Musical Expression., 344-345.
01-01-2018
Demo of interactions between a performer playing a smart mandolin and audience members using musical haptic wearablesTurchet L and Barthet M
Proceedings of the International Conference on New Interfaces for Musical Expression., 82-83.
01-01-2018
2017
User experience in an interactive music virtual reality system: An exploratory studyDeacon T, Stockman T and Barthet M
192-216.
16-09-2017
IMMA-EmoHerremans D, Yang S, Chuan C-H, Barthet M and Chew E
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences., 1-8.
23-08-2017
User Requirements for Live Sound Visualization System Using Multitrack AudioOlowe I, Grierson M and Barthet M
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences., 1-8.
23-08-2017
FEATUR.UX.AVOlowe I, Barthet M and Grierson M
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences., 1-5.
23-08-2017
Designing Computationally Creative Musical Performance SystemsGoddard C, BARTHET M and Wiggins G
Audio Mostly 2017 Queen Mary University of London, London 23 Aug 2017 - 26 Aug 2017. vol. Proceedings of AM ’1
23-08-2017
Open BandStolfi A, Barthet M, Goródscy F and de Carvalho AD
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences., 1-8.
23-08-2017
Welcome to Audio Mostly 2017!Fazekas G, Barthet M and Stockman T
ACM International Conference Proceeding Series. vol. Part F131930
23-08-2017
Mood VisualiserSubramaniam A and Barthet M
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences., 1-8.
23-08-2017
DatascapingPigrem J and Barthet M
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences., 1-8.
23-08-2017
Open Symphony: Creative Participation for Audiences of Live Music PerformancesWu Y, Zhang L, Bryan-Kinns N and Barthet M
Ieee Multimedia vol. 24 (1), 48-62.
09-02-2017
Towards the Internet of Musical ThingsTurchet L, Fischione C and Barthet M
Proceedings of the Sound and Music Computing Conference., 13-20.
01-01-2017
2016
A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use CaseZhang L, Wu Y and BARTHET M
International Conference on New Interfaces for Musical Expression.
11-07-2016
A Participatory Live Music Performance with the Open Symphony SystemHayes K, BARTHET M, Wu Y, Zhang L and Bryan-Kinns N
ACM Conference on Human Factors in Computing Systems (CHI): Interactivity.
07-05-2016
ResidUUm: User mapping and performance strategies for multilayered live audiovisual generationOlowe I, Moro G and Barthet M
Proceedings of the International Conference on New Interfaces for Musical Expression., 271-276.
01-01-2016
Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood AnnotationSaari P, Fazekas G, Eerola T, Barthet M, Lartillot , O S and M
Ieee Transactions on Affective Computing (Tac) vol. 7, 122-135.
01-01-2016
myMoodplay: An interactive mood-based music discovery appAllik A, Fazekas G, Barthet M and Sandler M
Proc. of the 2nd Web Audio Conference (WAC), April 4–6, Atlanta, Georgia, USA..
01-01-2016
Crossroads: Interactive Music Systems Transforming Performance, Production and ListeningBarthet M, Fazekas G, Thalmann F, Sandler M and Wiggins GA
Proc. ACM Conference on Human Factors in Computing Systems (CHI), May 7–12, San Jose, CA, USA..
01-01-2016
From interactive to adaptive mood-based music listening experiences in social or personal contextBarthet M, Fazekas G, Allik A, Thalmann F and Sandler M
Journal of The Audio Engineering Society vol. 64, 673-682.
01-01-2016
2015
Moodplay: an interactive mood-based musical experienceBarthet M, Fazekas G, Allik A and Sandler M
Proc. of the ACM Audio Mostly International Conference, 7-9 Oct. Thessaloniki, Greece..
01-01-2015
2014
Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor FrameworkFazekas G, BARTHET M and Sandler MB
Lecture Notes in Computer Science, Springer-Verlag vol. 8905 (Sound, Music, and Motion), 122-147.
05-12-2014
Visualising Chord Progressions in Music Collections: A Big Data ApproachKachkaev A, Wolff D, BARTHET M, Plumbley MD, Dykes J and Weyde T
9th Conference on Interdisciplinary Musicology (CIM) Berlin.
04-12-2014
Big Data for MusicologyWeyde T, Cottrell S, Dykes J, Benetos E, Wolff D, Tidhar D, Gold N, Abdallah S, Plumbley M, Dixon S, Barthet M, Mahey M, Tovell A and Alancar-Brayner A
1st International Digital Libraries for Musicology workshop London, UK 12 Sep 2014. Editors: Page K and Fields B.
12-09-2014
Big Chord Data Extraction and MiningBARTHET MHE, Plumbley MD, Kachkaev A, Dykes J, Wolff D and Weyde T
9th Conference on Interdisciplinary Musicology (CIM) Berlin.
01-01-2014
A framework for automatic ontology generation based on semantic audio analysisKolozali S, Fazekas G, Barthet M and Sandler M
Proc. of the AES 53rd International Conference on Semantic Audio, Jan, 26-29., London, UK.
01-01-2014
Novel Methods in Facilitating Audience and Performer Interaction using the Mood Conductor FrameworkFazekas G, Barthet M and Sandler M
Editors: Aramaki M, Kronland-Martinet R and Ystad S.
01-01-2014
Digital Music Lab - A Framework for Analysing Big Music DataWeyde T, Cottrell S, Benetos E, Wolff D, Tidhar D, Plumbley MD, Dixon S, BARTHET MHE, Gold N, Abdallah S and Mahey M
European Conference on Data Analysis (ECDA) Bremen.
01-01-2014
The DML Research Project: Digital Music Lab - Analysing Big Music DataBARTHET M, Benetos E, Cottrell S, Dixon S, Dykes J, Gold N, Mahey M, Plumbley MD, Tidhar D, Weyde T and Wolff D
01-01-2014
Selection of audio features for music emotion recognition using production musicBaume C, Fazekas G, Barthet M, Martson D and Sandler M
Proc. of the AES 53rd International Conference on Semantic Audio, Jan, 26-29., London, UK.
01-01-2014
Evaluation and Improvement of the Mood Conductor Interactive SystemLou T, Barthet M, Fazekas G and Sandler M
Proc. of the AES 53rd International Conference on Semantic Audio, Jan, 26-29., London, UK.
01-01-2014
2013
Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics): PrefaceAramaki M, Barthet M, Kronland-Martinet R and Ystad S
10-10-2013
Automatic Ontology Generation for Musical Instruments Based on Audio AnalysisKolozali S, Barthet M, Fazekas G and Sandler M
Ieee Transactions on Audio Speech and Language Processing vol. 21 (10), 1-14.
01-01-2013
DEMO PAPER: THE BBC DESKTOP JUKEBOX MUSIC RECOMMENDATION SYSTEM: A LARGE SCALE TRIAL WITH PROFESSIONAL USERSFazekas G, Barthet M and Sandler MB
ELECTRONIC PROCEEDINGS OF THE 2013 IEEE INTERNATIONAL CONFERENCE ON MULTIMEDIA AND EXPO WORKSHOPS (ICMEW).
01-01-2013
Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tagsSaari P, Barthet M, Fazekas G, Eerola T and Sandler M
Proc. of the IEEE International Conference on Multimedia & Expo (ICME2013) International Workshop on Affective Analysis in Multimedia (AAM), 15-19 July 2013, San Jose, CA, USA.
01-01-2013
The Role of Audio and Tags in Music Mood Prediction: a Study Using Semantic Layer ProjectionSaari P, Eerola T, Fazekas G, Barthet M, Lartillot O and Sandler M
Proc. of the 14th International Society for Music Information Retrieval Conference, ISMIR’13, November 4-8, Curitiba, Brazil. Editors: Britto ASJ, Gouyon F and Dixon S.
01-01-2013
Consistency of timbre patterns in expressive music performanceBarthet M, Kronland-Martinet R and Ystad S
Proceedings of the International Conference on Digital Audio Effects, DAFx., 19-24.
01-01-2013
Design and evaluation of semantic mood models for music recommendationBarthet M, Marston D, Baume C, Fazekas G and Sandler M
Proceedings of the 14th International Society for Music Information Retrieval Conference, ISMIR 2013., 421-426.
01-01-2013
2011
Ethnographic observations of musicologists at the british library: Implications for music information retrievalBarthet M and Dixon S
Proceedings of the 12th International Society for Music Information Retrieval Conference, ISMIR 2011., 353-358.
01-12-2011
Musicology for the masses: Situating new audio technologies for musicology and music educationStowell D, Barthet M, Dixon S and Sandler M
Digital Engagement 2011 Newcastle 15 Nov 2011 - 17 Nov 2011.
01-01-2011
Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre RecognitionBarthet M, Hargreaves S and Sandler M
EXPLORING MUSIC CONTENTS. vol. 6684, 138-162.
01-01-2011
2008
Exploration of timbre variations in music performanceBarthet M, Guillemain P, Kronland‐Martinet R and Ystad S
The Journal of The Acoustical Society of America, Acoustical Society of America (Asa) vol. 123 (5), 3663-3663.
01-05-2008
2007
The effect of timbre in clarinet interpretationBarthet M, Depalle P, Kronland-Martinet R and Ystad S
International Computer Music Conference, ICMC 2007., 59-62.
01-01-2007
2005
On the relative influence of even and odd harmonics in clarinet timbreBarthet M, Guillemain P, Kronland-Martinet R and Ystad S
International Computer Music Conference, ICMC 2005.
01-01-2005
Grants
Grants of specific relevance to the Centre for Multimodal AICo-Creator for songwriters & producers: generative AI Creator tools to boost efficiency of the creative processMark Sandler, Haim Dubossarsky and Mathieu Barthet
£320,887 Innovate UK
01-04-2024 - 31-03-2025
StudioSync: AI productivity tools for record labels in the management of musical recordings and creator metadataMark Sandler and Mathieu Barthet
£304,918 Innovate UK
01-04-2024 - 31-03-2025
Emotion-driven audio-visual game design using AIMathieu Barthet
£33,500 OVOMIND
14-09-2020 - 13-09-2025
UKRI Centre for Doctoral Training in Artificial Intelligence and MusicSimon Dixon, Emmanouil Benetos, Nicholas Bryan-Kinns, Mark Sandler, Andrew Mcpherson, Mathieu Barthet, George Fazekas, Ekaterina Ivanova, Anna Xambo Sedo and Charalampos Saitis
£6,519,934 EPSRC Engineering and Physical Sciences Research Council
01-07-2019 - 31-08-2028
Netz - ICURe ExploreMathieu Barthet, Jasmina Bolfek-Radovani, Joanne Chamberlain and Huan Wang
£34,523 Innovate UK
23-09-2024 - 11-01-2025
CDT Postgraduate StudentshipGeorge Fazekas, Mathieu Barthet and Andrew Mcpherson
£27,000 MUSIC Tribe Brands UK Limited
23-09-2019 - 22-09-2023
Augmented Live music performance using Immersive Visualisation and EmotionMathieu Barthet and Luca Turchet
£17,793 Innovate UK
01-11-2018 - 31-03-2019
IoMUT - The Internet of Musical Things: An ecosystem of interoperable devices connecting performers and audiencesMathieu Barthet
£146,764 EU Commission - Horizon 2020
01-05-2017 - 22-01-2019
AudioCommons - An Ecosystem for Creative Reuse of Audio ContentGeorge Fazekas, Mark Sandler and Mathieu Barthet
£541,481 EU Commission - Horizon 2020
01-02-2016 - 31-01-2019
CDT in Media & ArtsMathieu Barthet, Pat Healey and Mark Sandler
£3,782,384 EPSRC Engineering and Physical Sciences Research Council
01-05-2014 - 31-12-2023